MTL - The Fugitive White Moonlight of a Powerful Minister - Chapter 34

When others transmigrate, they are responsible for having babies with the male protagonist, and have a happily ever after. She is also a female protagonist when she transmigrates into various novels, but the female protagonist after the happy ending, when love between the couple is weathering, when the male protagonist is tired of the female protagonist, when he is cheating with a mistress, etc., and many other chicken feathers.

[Host, the task assigned to you by the system is, ‘After happy ending, the female protagonist’s bleak divorce life!’]

“Go away, s*upid system! I want to transmigrate to before ‘Happy ending’!”

One sentence introduction: Today is another day of happily divorcing.

Chicken feathers: small annoyances

- Description from Novelupdates

Endless sky and infinite space, the cosmos isn’t some paradise waiting to be found, it is full of darkness and danger, death and terror of the great unknown. However, for that glittering swath of blue, we have no fear! For the longevity of men, we have no regrets! Nothing shall stand in our way because it is finally our time, our age! The age of cosmos exploration!

A tale of transporting to an alternate world! Let it be so, but why did she turn into a dragon?

As the last dragon in this world, Yi Longlong became the target of the dragon knights, but why are they competing on who gets to ride on her back?

She’s only a young girl who hasn’t even been on her first date!

Are good looking men so remarkable? Just because they’re good looking doesn’t mean they can ruin this beautiful innocent girl… Dragon?!

- Description from Novelupdates

Perhaps the paintings in a museum are subjected to more nonsense than you would hear anywhere else in the world.The language that comes out of an artist’s life is the painting itself. It contains the most ordinary lives that know failure, desire, recoiling in fear, and compromise.Learning is about understanding that language. We miss much of what the paintings speak because there is no way to ask the long-dead painters about the philosophy of their lives.In an alleyway in the residential area of Jongno, there’s a peculiar art gallery. This place enables us to transcend such limitations. By sheer coincidence, I ended up visiting that place and began living an entirely different life.