The Glory After Rebirth - Chapter 2 - One Bowl of Hangover Soup

Weary reader, it is an honor for you to choose this book in this heavy, dark library room.

Somewhat sadly, the book is sick.

Your fingers should be able to feel the raised growths on the surface of the book cover,

The words written in the old days are like parasites rooted in the pages of the book, hoping that someone can observe their wriggling,

To feel, to analyze, to touch the story of the disease.

If you insist on borrowing this book, be sure to check your physical condition regularly.

- Description from novelbuddy

In a certain empire, a young prince was born with a golden pickaxe. It should have been seen as a miracle or a blessing, but instead, the emperor wanted nothing to do with the child. He refused to accept a prince blessed with what he considered a commoner’s job, fearing it would taint his royal bloodline.Abandoned by his own parents, the young boy, Shennong, was taken in by a succubus.But neither the succubus nor the emperor knew the truth about him—Shennong was no ordinary child. He was a reincarnator.This is the story of how the world of Matay reacts to the birth of the first Sandboxer, a class unknown to many. Will Shennong forgive those who abandoned him? What was the purpose of his reincarnation in this world? What is the true nature of the golden pickaxe, and what does it mean for Shennong?One thing is certain—Shennong is not alone in this world because he had a true sandbox system and people to support him even in this world.Join him and experience a true sandbox adventure!

What is a story without a reader?Nothing.Stories are for the readers to define.What about a story with four readers?It is a lot for the story, but for the author the story is far from being satisfactory.So when the author closes the story beloved to only four readers.How do they deal with it?How do they deal with the end?What happens when the author swallows the key to the story’s life.Especially when it simply became beyond human terms.

Gu Shishi, a master of traditional Chinese painting, transmigrated into the role of a cannon fodder in a cliché novel.