Villain's Breeding System: Evolving 999+ Harem into an SSS-Rank Legion-Chapter 175 - Getting off the Clothes for Survival

Chapter 175: Chapter 175 - Getting off the Clothes for Survival

They looked up.

The sky was blue and convincing.

"’Trust me,’" he said.

This was, Celia noted, the first time he’d said those words. Every other thing he’d told them had been framed as information. This was different — an appeal rather than a statement, the appeal of someone who had the information but was choosing to offer trust instead of explanation.

She looked at the sky.

Then at him.

"’What do we need,’" she said.

He needed fabric.

This was the first thing.

The explanation was logical. Entirely, infuriatingly logical — the specific, step-by-step rationality of a man who had identified the requirements of shelter construction on a tropical island with nothing but the resources on hand and was now itemizing them in front of six women with the clinical precision of someone who had not noticed, or had noticed and was not acknowledging, that the itemization had specific clothing-related implications.

"’Rope,’" he said. "’Or something that functions as rope. The palm fronds can provide the frame, the larger leaves can thatch, but without binding material the structure won’t hold in high wind.’"

"’There are vines—’" Nara said. 𝒻𝓇𝑒𝘦𝘸𝑒𝒷𝓃ℴ𝑣𝘦𝑙.𝒸ℴ𝘮

"’Wet,’" he said. "’Already at capacity. They’ll snap under load.’"

"’So what—’"

He looked at Preet’s jacket.

Preet looked at her jacket.

"’Fabric,’" he said, "’tears into strips that can be braided. Braided strips have sufficient tensile strength for light structural use.’"

"’You want my jacket,’" Preet said.

"’It’ll be hot by noon anyway,’" he said. This was also true — the sun was climbing and the humidity was the specific, dense humidity of a tropical island after rain, the air already carrying more moisture than air typically volunteered.

A beat.

Preet took her jacket off.

He tore it into strips with his hands. The sound of it — the specific, tearing report of synthetic fabric separating under applied force — produced in the group the specific quality of watching something irreversible happen and accepting it because the logic had been sound.

By ten-thirty, three jackets had been redistributed as structural rope.

By eleven, Aisha’s light outer blouse had become the binding material for the shelter’s crossbeam.

The sun was, as predicted, genuinely hot.

"’The fishing line,’" he said.

They looked at him.

"’To catch fish, I need line. Fine, strong line.’"

"’We don’t have fishing line,’" said the second new woman — her name was Gia, she was from Delhi, she had the specific, precise way of talking of someone who had been top of her class for her entire academic career and applied this precision to all areas of expression.

"’No,’" he said. "’But nylon thread unraveled from tight-woven fabric gives approximately thirty-pound test strength.’"

A silence.

"’And tight-woven fabric is—’" Gia said.

He looked at the hem of the nearest available garment.

Which was Nara’s top.

"’It’s not like you need the full top,’" he said. "’Just the hem. A foot of it.’"

Nara’s expression went through a sequence.

"’Fine,’" she said.

She pulled her top off.

Not in the slow, deliberate way. The quick, practical way of someone making a decision and not giving themselves time to reconsider. Her bra was the cotton one Celia had been specifically not looking at the evidence of in the cabin. The top she handed to Raven, who looked at it and pulled the hem off in one clean strip and handed the rest back.

The group had been watching this.

Nara put the top back on. It now ended four inches above the waistband of her skirt.

He unraveled the hem strip into three component threads and began working them together between his fingers — the specific, practiced braiding motion of someone who had done this before, which was not possible, which he was doing anyway.

Aisha, watching: "’Where did you learn—’"

"’Fishing,’" he said.

Gia, quietly, to no one specific: "’He is making that up.’"

Nara, also quietly: "’I’ve decided not to ask questions.’"

The shelter went up by one in the afternoon.

It was — adequate. The specific, honest adequacy of something built from available materials by someone who knew what they were doing, which meant it wasn’t beautiful but it was structurally sound and it would hold in moderate wind and the roof overhang would direct most rain away from the interior.

It was also, now that it existed, the thing around which the group organized itself.

They’d been moving all morning. Foraging, constructing, following instruction that had been given with enough specific rationality that each individual item made sense and the cumulative effect had only become visible in the early afternoon when Celia looked at the group and realized that the collective fabric inventory had been substantially redistributed.

Preet: no jacket. Her blouse was still on — thin cotton, the pattern of her bra visible through it in the heat and humidity.

Aisha: the outer blouse gone. She was in her camisole and jeans.

Gia: her cardigan was structural rope. Her button-down shirt had three buttons open from the heat. She kept closing them and then, ten minutes later, they were open again.

The fifth woman — she’d introduced herself as Meijin, Japanese-Korean, twenty, the specific, self-contained quality of someone who had grown up evaluating situations and entering only the ones that calculated favorably — was in her sleeveless top, her overshirt having become part of the fishing net.

Raven was in his shirt.

Still in his shirt.

This was an injustice that Celia had identified and was unable to articulate without acknowledging that she’d been tracking it.

"’It’s warm,’" Preet said, looking at him.

"’Yes,’" he said.

"’You’re still wearing—’"

He looked at her.

Then, with the specific, practical energy he’d deployed for everything else all morning, he pulled his shirt off.

And put it in the pile of fabric.

Not performing it. Just — using it. As resource. As building material. The shirt becoming strip material with the same casual efficiency as everything else.

Meijin, beside Celia, made the specific, very small sound of someone managing an involuntary response.

Gia, two feet away, appeared to find something extremely interesting in the middle distance.

His torso in the afternoon island light was — Celia looked at it for the clinical half-second required to assess the available information and then looked at the shelter. The lean architecture of him. The shoulders. The abdomen — not the performed architecture of someone who’d spent time on this, but the organic expression of a body that moved correctly and looked like that because of it. The V-muscle, the obliques, the specific quality of skin that looked warm in any light.

She looked at the shelter.

"’What about leaves,’" she said. Her voice came out correctly. She was proud of this.

"’What about them,’" he said.

"’We’ve been tearing up clothing all day. The island has leaves. Large ones. Why can’t we use leaves for — for whatever you’ve been using the fabric for.’"

"’Leaves snap,’" he said.

"’Leaves are—’"

"’Wet leaves snap at the structural joint,’" he said. "’Dry leaves are too brittle for load. Fresh-cut palm frond strips can hold, but palm fronds take two days to dry to workable flexibility. We don’t have two days.’"

Celia looked at the leaves.

Then at her skirt.

"’That’s very—’" She stopped. "’You did this on purpose.’"

"’Built a shelter?’"

"’You knew from the beginning that you’d need — that we’d all end up—’"

"’Do you have a theory,’" he said, with the specific, unhurried tone of someone prepared to listen to it, "’about how I manufactured the storm?’"

She looked at him.

He looked at the shelter.

"’Your skirt,’" he said, "’has enough fabric in the hem to complete the lashing on the northeast corner, which is going to take the most stress when the wind turns.’"